The feisty Du Lac brothers are reunited at the old family home in Brittany - what could possibly go wrong? Well, quite a lot actually. For a start, author Mary Anne Yarde has a liking for deeply flawed characters. Secondly, you need to be thinking George R.R. Martin rather than Sir Thomas Malory. Chivalry is hanging in by its fingernails and treachery is in the air.
Book two of the Du Lac Chronicles would work perfectly well as a stand-alone novel but to really understand the complex web of relationships I recommend starting with the first book. You also need to keep your wits about you, as a fast pace is achieved with short chapters and plenty of action.
I don’t want to include any ‘spoilers’ but at one point I was reminded of those TV programmes that begin with a warning viewers might find some scenes disturbing. There are also tantalising glimpses of the Arthurian back-story, which I’d really like to hear more of – perhaps a ‘prequel’ to the chronicles?
The Du Lac Devil is Mary Anne Yarde at her best – and I’m really looking forward to the next one. Five out of five stars.
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About the Author
Mary Anne Yarde grew up in the southwest of England, surrounded and influenced by centuries of history and mythology. Glastonbury—the fabled Isle of Avalon—was a mere fifteen-minute drive from her home, and tales of King Arthur and his knights were part of her childhood. At nineteen, she married her childhood sweetheart and began a bachelor of arts in history at Cardiff University, only to have her studies interrupted by the arrival of her first child. She would later return to higher education, studying equine science at Warwickshire College. Horses and history remain two of her major passions. Mary Anne Yarde keeps busy raising four children and helping run a successful family business. Find our more at her website and follow her on Twitter @maryanneyarde.
Bosworth 1485: After victory against King Richard III, Henry Tudor
becomes King of England. Rebels and pretenders plot to seize his throne. The
barons resent his plans to curb their power and he wonders who he can trust. He
hopes to unite Lancaster and York through marriage to the beautiful Elizabeth
of York. With help from his mother, Lady Margaret Beaufort, he learns to keep a
fragile peace. He chooses a Spanish Princess, Catherine of Aragon, as a wife
for his son Prince Arthur. His daughters will marry the King of Scotland and
the son of the Emperor of Rome. It seems his prayers are answered, then
disaster strikes and Henry must ensure the future of the Tudors.
I began the Tudor Trilogy with a challenge. The known facts
of Owen Tudor’s life are so sparse it’s little wonder so few writers have
tackled his story. There are no images of him and historians even debate his
name. Undaunted, I persevered and uncovered an amazing life of adventure which
ended in tragedy when Owen was about the same age I am now.
The records were far more detailed for the second book, the
story of Owen’s second son Jasper Tudor, and although he spent many years in
exile I had no shortage of material. As my research progressed I began to
wonder how the story would end. Henry was born in the first book, comes of age
in the second and becomes King of England in the final book of the trilogy.
The problem now was too much information. Henry left a
wealth of detailed records, often initialling every line in his ledgers, which
still survive. At the same time, I had to deal with the contradictions, myths
and legends that cloud interpretation of the facts. It troubled me to realise
how, even in my own history lessons, we skipped over Henry’s contribution to
learn about his son (and his six wives).
How could I begin to do justice to the life of such a
complex and little understood man? Why did his son turn out as he did? I decided
the only way was to immerse myself in Henry’s world and explore events as they
might have appeared from his point of view. I stood in the small room in
Pembroke Castle where Henry Tudor is thought to have been born, (within sight
of where I was born) and began three years of intensive research about this
I bought every book I could find about Henry and his times.
I travelled to remote Brittany to visit the cobweb-festooned chateau in theforest where he lived in exile. I stood on the pebble beach at Mill Bay wherehe landed with his invasion fleet. I walked across Bosworth field and watched
hundreds of re-enactors recreate the battle, complete with cavalry and cannon
fire. I saw the Torrigiano bust of Henry at the V&A Museum, his portraits at the National Portrait Gallery and finally visited his tomb at Westminster Abbey.
My hope is that I can offer readers an insight into Henry’s life
and make them want to learn more about one of our least understood kings. I’d
like to take this opportunity to thank all the readers around the world who
have been on this journey with me. Although this is the end of the Tudor
trilogy, I am now researching the lives of Henry's daughter Mary and her husband Charles Brandon, so the story of
the Tudors is far from over.
In the vibrant, volatile court of Henry VIII, can even the most willful young woman direct her own fate and follow her heart in a world ruled by powerful men?
Clever, headstrong Elizabeth Rose Camperdowne knows her duty. As the sole heiress to an old but impoverished noble family, Eliza must marry a man of wealth and title — it’s the only fate for a girl of her standing.
But when a surprising turn of events lands her in the royal court as a maid of honor to Anne of Cleves, Eliza is drawn into the dizzying, dangerous orbit of Henry the Eighth and struggles to distinguish friend from foe.
Is her glamorous flirt of a cousin, Katherine Howard, an ally in this deceptive place, or is she Eliza’s worst enemy? And then there’s Ned Barsby, the king’s handsome page, who is entirely unsuitable for Eliza but impossible to ignore.
British historian Lucy Worsley provides a vivid, romantic glimpse of the treachery, tragedy, and thrills of life in the Tudor court.
# # #
About the Author
Dr Lucy Worsley is Chief Curator at Historic Royal Palaces, the charity which looks after the Tower of London, Hampton Court Palace, Kensington Palace, and other historic places. Her first paid employment after studying history at Oxford was at a minor stately home called Milton Manor, near Abingdon, where she fed the llamas. After that she became an Inspector of Ancient Monuments at English Heritage, doing historical research at Bolsover Castle in Derbyshire: this led to her first book, 'Cavalier', about a dissolute Royalist duke. Her work as a curator at Kensington Palace led to 'Courtiers', which was followed by 'If Walls Could Talk', 'A Very British Murder', and her first historical novel for young readers, 'Eliza Rose', which is set at the Tudor court. For more information visit Lucy's website www.lucyworsley.com and find her on Twitter @Lucy_Worsley,
England 1846: Widowed with two small children, Mary Jackson fears for the future. Moving to the town of Birmingham, she hopes to put her troubled past behind her. Mr Wetherby craves respectability. His only priority is growing his hooks and eyes business, and he'll stop at nothing to get his own way. When their paths cross, Mr Wetherby is not prepared for the impact Mary has on him.
Set in Victorian England, Hooks & Eyes is Part 1 of
The Ambition & Destiny Series.
Often when books, films or TV depict the 19th century, they focus on either the upper classes/aristocracy or the impoverished lower classes. It is much less common to come across stories about the aspiring working or middle classes. In reality, however, the 19th century saw a phenomenal rise in the number of middle-class households.
My interest in the Victorian era started when I was researching my family history. I was intrigued to know if there was any truth to the rumour that our family had once been very wealthy. Based on our circumstances during the 20th century, it seemed highly improbable, but this begged the question. If my ancestors were wealthy, where did the money go? Did it pass out of the family as a result of a death and re-marriage as we had been lead to believe?
As I picked my way through an assortment of historical records, it appeared that, yes, the family had once been very wealthy, but no, the money did not leave the family as a result of a re-marriage. It was much more complicated than that. As I delved deeper, the story I uncovered astounded me. The more I learned, the more I needed to know and within a couple of years the idea of turning it into a book started to build. With no clue about where to start, however, I pushed the idea to the back of my mind … for a while at least.
Eventually, the idea wouldn’t leave me alone, and I started to write. Initially, didn't expect to produce more than about a hundred pages, but now, six years later, I have a five-part family saga entitled The Ambition & Destiny Series. Part 1, Hooks & Eyes, was published on March 9th, 2017.
The story takes place in and around Birmingham, England, and was triggered by an event in 1839 that changed the family’s future forever. This event is the basis of a short story prequel to the series, Condemned by Fate, and is based on three months in the life of my great, great, great grandfather.
The main series (Hooks & Eyes) starts in 1846 with the family moving to the town of Birmingham. At first, they struggle to survive among the back-to-back houses, but eventually, they leave their working-class origins and become part of the affluent middle classes. Unfortunately, the good life doesn’t last and with one fateful event in 1882, followed by a second in 1885, everything changed.
As the story started almost two hundred years ago there are no living relatives who have any knowledge of the people involved. That means I have no idea how close to the truth the story comes. All births, deaths and marriages are correct, and most of the major storylines are based on fact. Many of the sub-plots and all characterisations, however, are fictitious. Not wishing to cause any upset, names and places have been changed to protect the identity of the real individuals.
Initially, one of my biggest regrets was that I didn’t find out what happened in time to tell my grandfather. I think he spurred my interest in the whole story because he lived with the shame of being made homeless as a child when his father couldn’t pay the rent. Knowing what I know now, however, I think it’s perhaps as well he didn’t know the truth.
Hooks & Eyes is Part 1 of The Ambition & Destiny Series. A compelling family saga of love, loss and betrayal set in Victorian England. The eBook is now available on Amazon and is free as part of Kindle Unlimited. The paperback is due in April 2017.
# # #
About the Author
Val McBeath is a scientist by training and has worked for the pharmaceutical industry for many years. Born and raised in Liverpool she now lives in Cheshire with her husband, two daughters and cat. In addition to Family History her interests include rock music and Liverpool Football Club. Her Ambition & Destiny Series is set in Birmingham (UK) between 1846 and 1890 and is very much a work of fiction. Find out more at Val's website http://valmcbeath.com/historical-fiction-author/ and find her on Facebook and Twitter @valmcbeath.
'You are my sister now,' Victoria said, quietly and solemnly. 'Never forget it. I love you like a sister, and you are my only friend in all the world.'
Miss V. Conroy is good at keeping secrets. She likes to sit as quiet as a mouse, neat and discreet. But when her father sends her to Kensington Palace to become the companion to Princess Victoria, Miss V soon finds that she can no longer remain in the shadows.
Miss V's father has devised a strict set of rules for the young princess, which he calls the Kensington System. It governs her behaviour and keeps her locked away from the world. He says it is for the princess's safety, but Victoria herself is convinced that it is to keep her lonely, and unhappy.
Torn between loyalty to her father and her growing friendship with the wilful and passionate Victoria, Miss V has a decision to make: to continue in silence, or to speak out.
By turns thrilling, dramatic and touching, this is the story of Queen Victoria's childhood as you've never heard it before.
# # #
About the Author
Dr Lucy Worsley is Chief Curator at Historic Royal Palaces, the charity which looks after the Tower of London, Hampton Court Palace, Kensington Palace, and other historic places. Her first paid employment after studying history at Oxford was at a minor stately home called Milton Manor, near Abingdon, where she fed the llamas. After that she became an Inspector of Ancient Monuments at English Heritage, doing historical research at Bolsover Castle in Derbyshire: this led to her first book, 'Cavalier', about a dissolute Royalist duke. Her work as a curator at Kensington Palace led to 'Courtiers', which was followed by 'If Walls Could Talk', 'A Very British Murder', and her first historical novel for young readers, 'Eliza Rose', which is set at the Tudor court. For mre information visit Lucy's website www.lucyworsley.com and find her on Twitter @Lucy_Worsley,
Too often we think about the creative process as separate from the marketing process. Instead, view them as the same. Replace the inclination to “promote” with the desire to share and engage. How and why you create is a story — and your best asset to truly engage people.
Be the Gateway shows you how to use that gift with joy
and with confidence.
Something I have been thinking a lot about this month is the word “threshold.” With my book coming out and the upcoming birth of my second child in April, I feel like everything I do is moving through a threshold. A moment where things will be different than they were before.
Most people are apprehensive of change. With change comes uncertainty, and at times, risk. This month I have been embracing the idea of moving through the threshold. Of welcoming what comes next.
When my first son was born back in 2010, I had just left my corporate job to start my company. Much like today, it was a massive threshold to move through, and one that I am so thankful I embraced.
What threshold would you like to move through? How can you shift your perspective from being apprehensive about it, to approaching it with vigor and openness?
# # #
About the Author
Dan Blank is the founder of WeGrowMedia, where he helps writers and creative professionals share their stories and grow their audience. He has worked with hundreds of individuals and amazing organizations who support creative people such as Random House, Hachette Book Group, Sesame Workshop, Workman Publishing, J. Walter Thompson, Abrams Books, Writers House, The Kenyon Review, Writer's Digest, Library Journal, and many others. Dan's work has been featured by Poet's & Writers magazine, the National Endowment for the Arts, Professional Artist magazine, and 99u. You can find Dan on his blog at http://wegrowmedia.com and on Twitter at @DanBlank.
Foretellings have no place for goodness, only greatness. Princess Ezrahli is far from good, but she is a great woman in a conventional Kingdom, followed by whispers and scorn. However, across the waters is un-convention, magic, and fable. Her existence has been foretold in the battle against dark magic, and destiny shall weave itself into her life because darkness cannot be fought with goodness, only greatness.
I like to learn from other genres while my current work in progress is in the editing process, and this time I chose the memorable dark fantasy Thrown to The Blue, by Kay Chapman. We are literally plunged deep into the unfamiliar world of Princess Ezrahli when she murders her father.
The best ‘world building’ is achieved when you aren’t really aware of it. Somehow we have no difficulty understanding the invented words of this strange world. Clues slip into the reader’s subconscious on every page and we start forming out own theories about how it all might end.
Kayleigh Chapman is a skilled story teller and I soon found myself choosing to continue reading when I should have been doing other things. This is book one of a series I look forward to following – highly recommended.
# # #
About The Author
Born and raised in Cornwall, England, Kayleigh Chapman is an avid tea drinker, writer, blogger, book reviewer, When not writing novels, she is blogging on various subjects that peak her interest, musings, tips, advice, and journals of her writing and reading experiences. Chapman is a keen book reviewer, beta reader, and ARC reviewer. You can find all reviews on her blog Writerly Bookish Stuffand follow her on Facebook and Twitter @KJ86Chapman.
Mary Queen of Scots is perhaps one of the most controversial and divisive monarchs in regal history. Her story reads like a particularly spicy novel, with murder, kidnap, adultery, assassination and execution. To some she is one of the most wronged women in history, a pawn used and abused by her family in the great monarchical marriage game; to others, a murderous adulteress who committed regicide to marry her lover and then spent years in captivity for the crime, endlessly plotting the demise of her cousin, Queen Elizabeth I of England.
This new edition covers the entire breath-taking scope of her amazing life and examines the immense cultural legacy she left behind, from the Schiller play of the 1800s to the CW teen drama Reign. Temptress, terrorist, or tragic queen, this book will give you the lowdown on one of history’s most misunderstood monarchs.
The Murder of Henry, Lord Darnley
The second husband of Mary Queen of Scots, Henry, Lord Darnley, was murdered in Edinburgh 450 years ago. It was a spectacular demise for the 21-year old king, with the house he was staying in blown to bits by several barrels of gunpowder. His naked body was found strangled in a nearby orchard, along with that of his valet; they’d been caught in attempting to escape the house and quickly silenced.
Lord Darnley and Mary, Queen of Scots circa 1565
The list of suspects read like a who’s who of the Scots nobility of the time, with Mary and her trusted councillor Bothwell at the top. Several months later they would be married and that would mark the end of Mary’s brief and turbulent reign. Mary had more reason to despise Darnley than anyone; the good-looking, buff blond boy who’d first sashayed into sight at Weymss Castle turned out in the end to be a spiteful bisexual syphilitic with a penchant for calling her out when he’d had a few too many ales. Add in the fact that he’d developed a pathological jealousy for her Italian secretary Rizzio and then helped in the plot to slay the poor little papist in Mary’s presence only added to the reasons for wanting him gone. When she gave birth to their son James – the future James VI of Scotland and I of England – she was derisory enough of the boy’s father to inform her entire court that it would be much the worse for her son because of who his dad happened to be. After Mary’s marriage to Bothwell broke down and she fled to England, Darnley’s death was the pretext that Elizabeth I used for holding her in captivity for 19 years until her eventual execution in 1587. But did Mary really have anything to do with her husband’s death or was she merely guilty of sticking her fingers in her ears and averting her eyes at the appropriate moment?
The Case For the Prosecution
1. Darnley had threatened to impugn their son’s legitimacy; in order to save baby James’ title to the throne, he would therefore need to be silenced. 2. He couldn’t be bothered with state affairs, leaving Mary to have a stamp made bearing his signature; lazy wasn’t quite the word. 3. She herself went to Glasgow to bring him back to Edinburgh when he fell ill; to keep an eye on him, or to lure him to his death? 4. On the very night of the explosion she was meant to be staying with him at the house he was convalescing in – Kirk O’Field – but ‘remembered’ at the last minute that she had a wedding to attend. 5. Her first mother-in-law was that mistress of Machiavellian machinations, Catherine de Medici; didn’t she teach her daughter-in-law anything during those long years at the French court?! 6. Mary had also been in attendance at a conference at Craigmillar Castle wherein her lords debated what to do about Darnley and had warned them not to undertake anything that might impugn her honour – that didn’t rule out doing away with him on the quiet, though. 7. Mary pardoned Darnley’s Rizzio co-plotters even though they were baying for his blood after he’d double-crossed them during the culmination of said plot; she even gave them license to return to Scotland in the months leading up to Darnley’s death.
The Case For the Defence
1. Mary may have been suffering from postnatal depression during the plotting that led to Darnley’s death, significantly swaying her judgement if she was aware of the plot. 2. Apart from having her royal reputation to consider, it seems unlikely Mary would have undertaken anything so preposterous when she wanted to keep her cousin Elizabeth Tudor sweet and hopefully be named as her eventual heir. 3. The whole thing might in fact have been in some way engineered by Cecil, Elizabeth’s chief advisor, in attempt to further destabilise Mary’s rule and get rid of her (he’d known about the assassination plot against Rizzio beforehand, for instance). 4. It’s unclear to what extent Bothwell had a hold over Mary. How much is romance imagined by centuries of swooning female writers, and how much might in fact be the brutality of a real-life abusive relationship, with Mary powerless to stop him clearing a path to the throne as her consort. And let’s not even get started on the convoluted controversy that is the Casket Letters… All in all Darnley’s demise was a spectacular point in Scottish history, one of those ‘you couldn’t make it up’ moments, when you factor in the whole Bothwell business and series of calamities that Mary herself was soon to endure. But at the heart was a spoilt, politically naïve 21-year old – pretty much a child still today – but back then a grown man, thrust into the backstabbing heart of sixteenth century Scottish politics. Even if he was a brat, he didn’t deserve to die like that. Mickey Mayhew
# # #
About the Author
Autistic author and lifelong Londoner Mickey Mayhew is currently completing his PhD on the cult surrounding 'tragic queens' Anne Boleyn and Mary Queen of Scots. He was co-author on three books relating to Jack the Ripper and his first non-fiction work, The Little Book of Mary Queen of Scots, was published by The History Press in January 2015. I Love the Tudors - also by THP - was released in January 2016. Fiction includes the urban fantasy trilogy 'The Barrow Boys of Barking', beginning with 'Jack and the Lad' and concluding, for now, with 'Jamie's Big Bang'. His next Tudor book is scheduled for release some time in 2017. Find out more at Mickey's website www.mickeymayhew.com and find him on Twitter @Mickey_Mayhew.
If anyone had told me back in August of
2012 that by now, I’d not only have completed and published three full-length
historical romance novels, but also have numerous works out along with the
launch of three other series, I probably wouldn’t have believed them. Yet it’s
In 2002, I had this thread of an idea for
a Victorian maritime story set in France. That book became a long project which
somehow morphed into an empire. In 2013, Upon
Your Return was released. I was ecstatic! Not only was my first historical
romance on the market, it was traditionally published to boot. Not too long
after receiving the book contract for UYR, an image of a young woman stowing
away on a ship materialized in my mind. Before I knew it, I was planning book
two in the series, Upon Your Honor. The
third book, Upon Your Love, came to
me then as well.
Quickly, the entire project transformed
into a compelling period drama, with elements of romance and suspense, about a
family in New Orleans. Of course, the books were set in various locations
besides that city. Yet each individual had his or her own trials to face. So, I
guess you could say none of this was planned. The muse took on a life of its
own, and the Heiresses in Love Series came to fruition. The same thing occurred
with my other three series, the Magick Series, the Blood at First Sight Series
and the Code of Endhivar Series. Even though they all landed in different
genres or subgenres, there was one underlying theme.
Not only are the books about families, in
a sense, I’m a reader myself. And whenever I read a series by one of my
favorite authors, I rapidly become hooked on the stories and the characters.
You warm up to them like a relative you’d see at family gatherings. Maybe
you’re not with that person every day, but he or she inevitably becomes a part
of you. They give your life meaning. Think of it like a TV series. You connect
with the characters, so you keep cheering them on in all their life’s successes,
as well as sympathizing with their failures or tragedies.
For me, writing a series has a similar
purpose. As authors, we spend so much time getting to know our characters. They
become friends, or even family members, and after a series is finished, there
is a mourning period. I suppose it’s like moving out on your own. Sure, you
love your parents, and you experience a little sadness at the idea that they’ll
no longer be close at hand. But you know you must become the person you’re
meant to be. You have to fly, though your parents will always hold a special
place in your heart. And you’ll go back to visit now and then.
Writing a series is somewhat like loving
your family. You grow close to them, even have occasional tiffs, but the
familial bond can never be broken. And the Heiresses in Love Series will always
be dear to me, for a number of reasons. I love the characters as if they were
my own family.
Feel free to call me crazy; I’ll own up to
it. I think writers need a touch of madness to write good stories. Yet we can’t
deny that our characters become a vital part of us, even if they sprouted from
our minds and came to life on the page. They are more than a fragment in a
They are family.
# # #
About the Author
Marie Lavender lives in the Midwest with her family and three cats. She has
been writing for a little over twenty-five years. She has more works in
progress than she can count on two hands. Since 2010, Marie has published 24
books in the genres of historical romance, contemporary romance, romantic
suspense, paranormal romance, fantasy, science fiction, mystery/thriller,
literary fiction and poetry. She has also contributed to several multi-author
anthologies. Her current series are The Heiresses in Love Series, The Magick
Series, The Blood at First Sight Series and The Code of Endhivar Series. Find out more at Marie's website marielavender.com and find her on Twitter @marielavender1.
While researching for my new book HENRY, about the life of Henry Tudor, I came across a medieval mystery regarding the fate of the husband of Henry's daughter Margaret. King James IV of Scotland was killed in a failed Scottish invasion
at the Battle of Flodden by the English on the 9th September 1513. Taking advantage of the absence of King Henry VIII, he had a larger army and soon captured the major castles in Northumberland. Unluckily for James, bad weather made the ground boggy, slowing his advance, and he was amongst 10,000 Scotsmen killed by English archers. James became
the last king to die in battle on British soil. Accounts suggest he fought
bravely and led from the front as he tried to rally his men.
His half-naked body was discovered among the dead the next
morning by Baron Thomas Dacre, who
later wrote that they ‘love me worst of any Inglisheman living, by reason that I
fande the body of the King of Scotts.’ James had been
killed by many arrows, his neck slashed and his face disfigured by
a poleaxe or bill hook. His corpse was taken to Berwick, where his former courtiers
William Scott and John Forman were able to identify him. Disembowelled and embalmed,
the body was placed in a lead coffin for carriage to London.
King James’s banner, sword and thigh armour were taken to
the shrine of Saint Cuthbert at Durham Cathedral. The herald Thomas Hawley took
the king’s blood stained surcoat to Queen Catherine of Aragon at Woburn Abbey,
who saw an opportunity to show her husband the country was in safe hands while
he was away fighting the French at Tournai. She sent the surcoat to King Henry to
use as a war banner.
After Henry returned from France the body of James could not
be buried in consecrated ground as he’d been excommunicated for breaking the
Truce of Perpetual Peace, signed between Scotland and England in 1502 and
strengthened by the marriage of James to Henry VIII's sister, Margaret Tudor.
Although Henry VIII had obtained consent from the Pope on 29
November 1513 to have the King buried in consecrated ground at St. Paul's, an
account from English historian and antiquarian, John Stowe, suggests that it
was kept for a while in a woodshed; ‘...since
the dissolution of the House [Sheen Priory] I have been shewed the same body
(as was affirmed) so lapped in lead throwne into an old wast roome, amongst old
timber, stone, lead, and other rubble.'
There are (possibly apocryphal) stories that the king's head
was used as a football before Elizabeth I's master glazier, named Lancelot
Young, ended up with the head as a curio. At some point it was taken to Great
St Michael's Church in Wood Street, London, where the sexton was ordered to
bury it in the church yard. Instead, it is thought to have been thrown into a ‘charnel
pit’, with other bones.
Interestingly, the Scots have always maintained that the
body taken to London was not King James. A skeleton discovered at Roxburgh
Castle in the 17th century was thought to be the king and in the 18th century the
skeleton of a man with a chain around his waist (as worn by King James) was
discovered in a side cave of the medieval well of Hume Castle. Both skeletons
have since been lost, although some stories claim the one from Hume was re-interred
at Holyrood Abbey.